Shearling | Calling Shot | Coach Light [SHOWROOM]

Event Details

Shearling | Calling Shot | Coach Light [SHOWROOM]

Date & Time

Fri, Sep 4, 7:00 PM

Price

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Venue

Rubber Gloves Rehearsal Studios

Denton, TX

409 East Sycamore, Denton, TX, 76205

music nightlife

Tickets

Price range

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About

Tickets Serving as a spiritual continuation of the now-defunct Sprain, Shearling exhibits the reunion of a now decade-old collaborative force between guitarists Alexander Kent and Sylvie Simmmons. A subsequent recruiting of percussionist Andrew Chanover, bassist Wesley Nelson, and Keyboardist Elizabeth Carver filled out their orchestrally-minded roster. The band was mostly quiet for its first year of existence, avoiding live performances to instead focus on their brazen debut ‘Motherfucker, I am Both: “Amen” and “Hallelujah”’ The record retains Sprain’s characteristic commitment to intensity, further mutated through a newfound lens of collagist approach. Featuring only a single, hour-plus long song, Motherfucker is a demanding exhibition of uncompromising ethos. Shearling’s aggressive live performances and meticulous recordings demonstrate an ambition, audacity, and emotional vulnerability that few contemporary bands can parallel. “Shearling present a work that could grow to be one of the great cult albums of alternative music.” – Beats Per Minute “Calling Motherfucker both a wildly bold and ambitious debut would still be an understatement” – New Noise Magazine

About the venue

Bar & live music stage for emerging & big-name indie rockers that doubles as a rehearsal space.

Performing

About

Tickets Serving as a spiritual continuation of the now-defunct Sprain, Shearling exhibits the reunion of a now decade-old collaborative force between guitarists Alexander Kent and Sylvie Simmmons. A subsequent recruiting of percussionist Andrew Chanover, bassist Wesley Nelson, and Keyboardist Elizabeth Carver filled out their orchestrally-minded roster. The band was mostly quiet for its first year of existence, avoiding live performances to instead focus on their brazen debut ‘Motherfucker, I am Both: “Amen” and “Hallelujah”’ The record retains Sprain’s characteristic commitment to intensity, further mutated through a newfound lens of collagist approach. Featuring only a single, hour-plus long song, Motherfucker is a demanding exhibition of

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